best mixer audio interface

Thanks for the helpful info. 4 in, 4 out USB Audio Interface (24-bit/96kHz). thats it! With 16 Midas designed mic pres, 17 100mm motorised faders, 32 channel USB DAW I/O and onboard effects, youre getting lots for your money and in a pretty compact footprint. However, its major downside compared to some other mixers on this list is a lack of audio interface there is a single stereo streaming channel, but this is more aimed at recording from a digital source than true studio integration. XLR (Assignable) outputs, and a 1 x TRS headphone output. The GSPre preamps are super quiet and have bags of headroom, and all mic inputs include a 100Hz low cut filter alongside 3 band fixed frequency EQ. Your email address will not be published. The maximum recording quality of this mixer is 24-bit/96kHz. The channel strips have a total of 16 mono and 4 stereo channels, 2 effect busses, 4 group busses, and a master fader. Excellent recording quality with loads of built-in features and effects. It features built-in condenser microphones as well as inputs for 8 external microphones and it can record up to 24-bit/96kHz audio quality! TheStudioLive ARc series by Presonusoffer a wide selection of mixing desks ranging from 8 tracks all the way up to 18, and all of them are capable of Multi-track recording, sending every Input to your DAW plus the Main mix channels. And basically, every device out there can run such a browser (Chrome, Firefox, Safari, etc). As far as effects go, it comes with eight true-stereo (16 This wireless mixer features a 24-in/24-out audio interface, which means that every single track can be recorded separately onto your DAW. In the case of musical recordings, that almost always means a stereo output these days, with mono mixers largely consigned to history, barring a tiny handful of exceptions. If you think that you are going to need an upgrade in the future, simply get a mixer with a higher channel count, you will be saving money in the long run. On the rest of them, you only get a regular 3-band EQ plus the low-cut. Theres a bit of a step up in price as we move to higher channel counts, but its immediately obvious just how much more capable mixers are at the higher price point. It also comes with 6 aux outputs which can be used to create headphone mixes, or for live monitoring, as well as a headphone output. In a live setting, you can use it to play backing tracks while mixing new instruments in real time, allowing you to manipulate and take control of your performances. A compact 4-channel mixer that includes effects and can multi-track up to four separate inputs. The consoles have XLR and switchable Hi-Z inputs that enable guitars, basses, and other instruments to be directly connected. Studio One artist Edition (Presonus DAW) and Studio Magic Plug-in Suite for Mac and Windows, which includes seven Plugins in VST, AU, and AAX formats. Additionally, it has the Auto Mix function which enables A big mistake in this article is to omit that the recommended Soundcraft Signature MTK 22 USB Interface Compatibility just supports Mac OS 10.7.x Lion through 10.11.x El Capitan. They can record 8, 12, and 22 simultaneous tracks directly to your DAW or to an SD card at a maximum quality of 24-bit/48kHz. It does make balancing mixes a little less intuitive and tactile, but if you can live with the compromise it does offer a lot for the money, with decent sound quality and plenty of versatility thanks to its effects and bundled Cubase AI recording software. While the Ultranet port, which connects to the Find out more about the Soundcraft UI24R here: The Behringer XR18 is a digital mixer that features a 18-in/18-out USB audio interface. You will receive a verification email shortly. The first 8 tracks have XLR inputs, one and two having a Hi-Z instrument-level input while the remaining six have pads, which allow you to reduce the incoming level by 26dB. They both allow for 12 or 22 multi-track recordings respectively. are one of the best preamps out there and should provide you with a lot of To show that not every home studio recording setup involves music, we present to you the Rode RodeCaster Pro. Meanwhile either the USB output or main mix can be switched to the rather nice VU meters. and even Bluetooth to pair the mixer with your phone, tablet, laptop, etc. convincing. If youre primarily looking for a mixer/interface to work with a smartphone or tablet (along with a few other devices), the Pro X might be the best option out there. Also, those two channels have an extra insert on the front. Theres three-band EQ, good quality digital effects and bundled ProTools First and Waveform OEM software to get you started with the mixers built-in USB interface. Both of these mixers are controlled via Mackies Master Additionally, they come with a 3-band EQ with Sweepable mids, plus a low-cut on those same channels. Really helped to start my search for a budget mixer that still packs a punch. I'm Editor-in-Chief of Music Technology, working with Future Music, Computer Music, Electronic Musician and MusicRadar. This one is different from the other ones on this list because it provides 5 headphone outputs and you can create different mixes for each one of them. Mixcast 4 is an SD-based multiple input, multiple output multitrack recorder with USB interfacing. The Tascam Model 24 and the new version Model 16, Hi, thanks for informative article. There are four phantom-powered mic inputs (the first four faders), and one stereo line input on either TRS jacks or minijack. I now removed it from the post. Roland have made a few mixers over the years, mostly under their Boss sub-brand, but the MX-1 takes the most specialist approach, aimed specifically at users of the brands Aira and Boutique ranges of synths, drum machines and effects. You get a 48v Phantom Power control, which is global, and also a High-Pass filter (for all mono inputs). All told the X32 Producer is a supremely powerful tool at an excellent price. Depending on the number of inputs you need, youre going to want a different one. The final two channels are stereo inputs which can be on TRS jacks or RCA connectors. The Model 24 is the spiritual successor to that idea: its an analogue mixer first and foremost, but it also includes a digital multi-track recorder, making it an all-in-one solution for home studios. In an ideal world, you want to push a fader up and be ready to record. devices, which means that every band member can control their own effects, monitor mix, amp sim, etc. Theres some decent digital technology onboard too, primarily in the form of Korgs excellent DSP effects. This depends on the mixer itself; if it has a built-in audio interface that is capable of recording multiple tracks, then yes.You can check this by looking at the Computer Connectivity specifications; If it says 1616, for example, then this means that 16 tracks are coming in and 16 are going out, meaning that those can be recorded individually on your DAW. Find out more about the ZEDi-10FX and the ZEDi-10 here: Depending on your needs you might want one or the other. You get four mono mic/line channels (with phantom power) plus three stereo inputs. It ticks a lot of boxes: it boasts genuine analogue heritage, which translates to characterful recordings and bus mixing, but also enough digital flexibility to act as a convenient hub for a home or project studio. Being analogue, you dont get a built-in USB interface or digital effects, but we think the compromise is worth it if you prioritise sound quality. I cannot control the volume of each track using the R16 faders though it is a straight pass-through from the gear when it is in USB mode. These inputs are designed to connect an electric guitar/bass The analogue appeal is rounded out with three compressor flavours, one of which is an Essential version of the classic SSL G-Comp Bus Compressor that features the well-known auto release option. The sample rate and bit depth are 24-bit / 96kHz which is perfect for home recording applications. filter, noise gate, and compression. The quality of the faders is extremely good, they are really smooth, responsive, and accurate. What this means is that you can set the mixer up on stage Its ideal for any cramped studio, but its tiny format also makes it ideal for taking out for live performances, making it a convenient solution for anyone who drags their studio setup out on the road. The inputs of the DL32S are: 16 x XLR inputs, 14 x XLR/TRS combo jacks, 2 x XLR/TRS Combo Hi-Z inputs. Question: When multitracking to daw/SD, do all these mixers send the signal pre EQ, fader etc? You get 16 inputs in total arranged as 8 mono and 4 stereo channel strips. Some of them can even record onto an SD card. These mixers have a nice feature that they call the super-channel, which basically gives you all the inputs on one channel that you could possibly need; RCA (for CD and DVD players), a 1/8 mini-jack (for plugging in your phone, tablet, etc.) Its not uncommon, when you think of mixers and mixing desks, to picture those breath-taking analogue desks you see in pro studios. In most cases NO. At this kind of size and simplicity, it really comes down to personal choice whether a mixer gives the best workflow. At the most basic level, an audio mixer is a way to combine two or more signals into one. Lastly, one feature unique to only the Tascam Model 12 is the DAW control Mode, which will transform the mixer into a control surface for all major DAWs. Yamahas MG10XU is a good example: nominally a 10-channel design, its packed with features that you dont find on the smaller, cheaper models like the budget Allen & Heath: three-band EQ, 48V phantom power for condenser microphones, audio in and out over USB, more extensive digital effects. Out of all the picks on this entire list, I would have to choose the Soundcraft Signature MTK 22 mixer. Theres also a headphone or headset jack (stereo, CTIA) and the obligatory micro USB socket to round off the I/O. As I mentioned earlier, amp emulation for the first two inputs is also included, which provides a huge array of amps, cabinets, pedal effects, and more. Find out more about the Mackie DL16S and DL32S here: No matter which of these Mixers you choose, you will be able to do multi-track recording, however, not everyone is going to need the same Mixer. Theres nothing at all wrong with simplicity if thats all you need. You might fairly assume that the most important question when choosing a mixer is how many channels you need, but wed suggest looking at it the other way round. Further switching on the unit includes phantom power, on/off and the Loop Back function. box. Its a digital mixer in a tiny format, with a touchscreen handling most of the control duties. All channel strips can route to the 2 stereo group buses (the pan pot allows you to blend between them) as well as main the stereo mix bus, and the first 8 channels also include a post fader direct out, which is available on the back panel. This is certainly not a cheap option, but the blend of analogue heritage and digital convenience makes this a fantastic device for small studio setups. My name is Jymme Foote, and Im a songwriter/podcaster among other things, in central California. When it comes to cost-efficiency, the Behringer XR18 is one Another British analogue specialist with a history dating back to the 70s, Soundcraft bears a lot of similarities to Midas. As far as the outputs go, it comes with 2 x XLR Main outputs, the UltraNet port, 6 XLR Aux bus outs, and TRS headphone output. MusicRadar is part of Future plc, an international media group and leading digital publisher. loads of effects. Thanks. Free downloads of the Lexicon MPXL native plug-in and Ableton Live 9 Lite. This combination of equipment isnt that cheap, so when I say affordable, Im talking about $300 and up, but you are getting two for the price one at a still very reasonable price. Its also possible to control the volume, panning, EQ, and effects via Ethernet or Wi-Fi by using a dedicated app, making this mixer very desirable for live settings since you dont need to always be right beside it; you can simply walk around the venue and tune everything from a distance with your tablet or iPad. These effects can only be used in standalone mode, or when recording onto the PC. The final three stereo faders carry a Bluetooth input, USB input from the connected USB device and audio from the trigger pads (which can be assigned with sounds via a software application). Korg describes the SoundLink range as being hybrid mixers, implying a balance of analogue and digital tech, although that doesnt quite pan out how you might imagine. We liked the previous Pro version of Rolands Go:Mixer, but this latest update is a significant improvement across the board. Also, the Soundcraft Signature led me to the Soundcraft Notepad-12FX, which is cheaper, bit still does 4-track USB record (and has a Stereo Aux out, woohoo! mono) multi-effects processors including delay, reverb, and all the traditional They all can record either to your DAW or to an SD card, and also offer immediate playback of the tracks you recorded to the SD card. Luckily, the effects sound great, with 61 one presets in total split between the typical effects such as delay, reverb, chorus, doublers, flangers, and more. The great thing about the Soundcraft wireless mixers is that Of course, theres a smaller 12-channel version available also, but I think that the MTK 22 simply is more cost-efficient. Both of the first two inputs are also Hi-Z inputs, Bath Four of the inputs can also handle Hi-Z instruments. and dynamics, as well as a 31-band EQ. well as the outputs. alignment delay. Future Publishing Limited Quay House, The Ambury, ducking open mics. If it comes down to the choice of sacrificing sound quality for more channels, sound quality should be the priority. Thanks a lot for pointing it out. That said, for those looking for a more old school, analogue workflow, who can cope without onboard recording or multi-channel streaming, these are still quality desks. ), any thoughts on that one? I had a 32 track, a 22 track and a 12 and all stopped working within 3 years of purchase or the channels died. If you absolutely need a super versatile console, then the Behringer X32 might be the right one; However, in most cases, I would recommend the first one I listed in this post. This app is fairly easy to use since its extremely intuitive, but if you want to see a video of how it works, then either scroll back up the review of the Mackie DL1608, or click on this YouTube link. I would have taken that A&H Zedi 10FX as a direct replacement but that 44 limit is putting me off. Each of these outputs has individual volume control also. We pick the top compact consoles for home recording, production, podcasting and more. USB connectivity is 2 in / 2 out with a dedicated USB Return level. The quality of these preamps is actually pretty good, At the top of the tree, youll find mixers with their own built-in recording features. With the growing popularity of hardware setups in dance music production, mixing analogue signals is now a key part of many home studios. The surprising thing about the Bluebox is that it feels like a creative tool more than a functional object; the quick and intuitive workflow makes it easy to set up effects and routings, while the built-in multi-track recording and overdubbing options help it feel like a halfway house between a mixer and a full-blown DAW. For years now I've been interested in music production. The EQ, while being very basic, still does its job and the amp modeling is really fun and sounds pretty good also. The SSL SiX is the smaller forebear of our top pick, the Big SiX. This feature is not really intended for mixing live music, Tascams greatest contribution to home recording was the iconic PortaStudio range of cassette-based multi-track recorders, which made it cheaper and easier for musicians to record their work. box. You will need a mixer with a built-in audio interface that is capable of multitrack recording. far. The Zoom R16 is really versatile and I would absolutely recommend it to anyone in need of something portable that can be battery powered as well, should you need to record on the road, in a bar, etc. Required fields are marked *. Despite superficial similarities to the X2222 from its sister brand, the DM16 employs a very different design philosophy; both are mid-sized mixers at affordable prices, but the DM16 is resolutely analogue as opposed to the X2222s digital approach. Similarly, the ZEDi-10FX led me to the ZEDi-10, which is identical except for the FX (which I wont use) and saves you about 70. shouldnt run into any troubles, but if you need more then you can simply use Lets take a quick look at the inputs and outputs: Inputs: It comes with 10 x XLR/1/4 combo A slight detour away from traditional home studios brings us to rehearsal spaces. The inputs on the DL16S are: 8 x XLR inputs, 6 x XLR/TRS combo jacks, 2 x XLR/TRS Combo Hi-Z inputs. The quality of the preamps is really high and they are actually very quiet. We particularly loved the eight programmable pads, which can be used to instantly fire off sound effects or jingles, while the visual interface on top shows clearly how the audio input levels are performing. They have the Ghost preamps, which are the ones featured ontheir Ghost Consoles which are the top of the line. Weve all done the classic one mic in the middle of the room recordings at some point, and dreamt of being able to exercise more control. It also has fewer mixer channels, with just two preamp-equipped mono channels and two stereo line inputs which isnt much, considering the price point. There are high-quality Midas preamps on the 12 mono channels, three-band semi-parametric EQ, aux sends and 60mm faders. Lets get right into the first one on this list. Add the ability to record and process everything in a single box and youve got a versatile, user-friendly solution without the need for a computer. Heres the link to the Zoom LiveTrak L-20. This isnt your traditional mixing board from what you can see, it packs a lot of extra features like 135 Built-in effects such as guitar amp modeling to even mastering effects. Even transparent digital mixers can encourage a more tactile and creative workflow too, as you get hands on with your audio tracks, riding faders and EQs as you bounce parts down. As its name implies, BiG SiX is the larger sibling of SSLs equally impressive SiX (see below). All four channels have a Low cut button as well as the typical controls every mixer has; like Gain, balance, FX-Send, mix level, Aux sends, and a three-band EQ. You can choose from a variety of effects to add to the tracks while also being able to add a Low-cut. Its a best of both worlds scenario, combining the quality analogue summing Soundcraft are known for with the convenience and versatility of digital features. These include four mono channels that feature SSLs SuperAnalogue mic preamps, each offering mic/line/Hi-Z inputs, a high-pass filter, SSL Channel Dynamics, an updated three-band EQ and a fully balanced insert point. Now I see Mackies new line of Onyx mixers are coming out. The mixers tube credentials are via an assignable 12AX7 tube stage, which can serve either the pair of mic inputs, or the single instrument input. As with that mixer, BiG SiX builds on the heritage of SSLs legendary, large-format studio consoles, but does so in a way aimed primarily at home and project studios. So not sure what your definition of Multi-Track Recording is, but I was specifically looking for a 4-track USB output, and not al of these do that. Visit Juno DJ, The world's largest dance music store featuring the most comprehensive selection of new and back catalogue dance music Vinyl and CDs online. The Zoom LiveTrak L-12 will allow you to record up to fourteen individual tracks to your DAW or to an SD card. Theres certainly still something to be said for incorporating a mixer into your setup though. The reverb, delay, chorus, and flange are amazing. A huge plus about the Zoom R16 is that it can work as a control surface for your DAW, which offers a more hands-on approach to mixing. Lets take a look at our round-up of the best home studio mixers around today. The ZEDi 10FX is well designed, well built, well equipped and is great value for money. i want to use it to make a pre mix and finish it off in my daw. Thanks! TheTascam Model 12, 16, and 24are true hybrid mixers that have all the controls an analog console has to offer, as well as some extra digital features. This can definitely come in handy during live gigs where you Read the full Korg SoundLink MW-1608 review. All told its a stylish desk and an ideal all-in-one solution for small studio set ups. The next two channels, 3 and 4, have a Line/Pad button which will drop the input level by 20dB. The more simple models just record the stereo mix, but some can even record multi-tracks, allowing you to edit and process your recordings further down the line. for live monitoring. The 1642 VLZ4 is a traditional analogue desk with no DAW interfacing, but delivers a clean signal path, solid Mackie build quality and is ideal for recording small groups. It lets you balance and record the audio of your project as either a stereo mix or in multitrack format, then transfer this via USB to an assortment of devices. thanks for the input. One of Mixcast 4s strongest points is its broad range of connectivity. My top picks would be theSoundcraft Signature MTK 22 and theAllen & Heath ZEDi 10FX, depending on the number of channels you need, and you can find them both on my recommended gear page. Just like the Presonus StudioLive AR series, the Tascam Model Series come with RCA, minijack, and Bluetooth connectivity for streaming audio, and they even provide 16 built-in effects such as Reverb, Chorus, Delay, Flanger, etc. Speaking of inputs, lets take a look at them right now, as Rolands Aira MX1 is probably the most unusual mixer on our list, offering quite a different approach to the more conventional brands. you can connect to them through Wi-Fi and control their internal We pick ten of the best options for those looking for affordable studio mixers, including models from Soundcraft, Roland and Allen & Heath. There are fourteen tracks being recorded because you get the 12 inputs as well as the master output, which is stereo. Its a completely different mixer than the other ones on this list for the simple fact that it doesnt provide any channel strips or analog controls. You can read our full review of the slightly larger Mackie ProFX 12 v3 here. modulation effects. Also, you need to take the budget into account. Hi Ken. If youre the latter, then you potentially have multiple band members all looking to perform at the same time.

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